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The Egoist: A Comedy in Narrative, by George Meredith
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Comedy is a game played to throw reflections upon social life, and it deals with human nature in the drawing-room of civilized men and women, where we have no dust of the struggling outer world, no mire, no violent crashes, to make the correctness of the representation convincing. Credulity is not wooed through the impressionable senses; nor have we recourse to the small circular glow of the watchmaker's eye to raise in bright relief minutest grains of evidence for the routing of incredulity. The Comic Spirit conceives a definite situation for a number of characters, and rejects all accessories in the exclusive pursuit of them and their speech. For being a spirit, he hunts the spirit in men; vision and ardour constitute his merit; he has not a thought of persuading you to believe in him. Follow and you will see. But there is a question of the value of a run at his heels. Now the world is possessed of a certain big book, the biggest book on earth; that might indeed be called the Book of Earth; whose title is the Book of Egoism, and it is a book full of the world's wisdom. So full of it, and of such dimensions is this book, in which the generations have written ever since they took to writing, that to be profitable to us the Book needs a powerful compression. Who, says the notable humourist, in allusion to this Book, who can studiously travel through sheets of leaves now capable of a stretch from the Lizard to the last few poor pulmonary snips and shreds of leagues dancing on their toes for cold, explorers tell us, and catching breath by good luck, like dogs at bones about a table, on the edge of the Pole? Inordinate unvaried length, sheer longinquity, staggers the heart, ages the very heart of us at a view. And how if we manage finally to print one of our pages on the crow-scalp of that solitary majestic outsider? We may get him into the Book; yet the knowledge we want will not be more present with us than it was when the chapters hung their end over the cliff you ken of at Dover, where sits our great lord and master contemplating the seas without upon the reflex of that within
- Sales Rank: #3276019 in eBooks
- Published on: 2012-12-27
- Released on: 2012-12-27
- Format: Kindle eBook
About the Author
George Meredith 1828–1909, English novelist and poet. One of the great English novelists, Meredith wrote complex, often comic yet highly cerebral works that contain striking psychological character studies.
Most helpful customer reviews
1 of 1 people found the following review helpful.
From Another Age
By Trust fund squanderer
Meredith's characters and social satire reveal universal truths of society and nothing has really changed at all.
26 of 26 people found the following review helpful.
Witty and funny, this novel is quite memorable.
By ERIC B
This novel was written, and takes place in, 19th Century England. 'The Egoist' is Sir Patterne, a well to do gent in search of a wife. After being jilted once, he pursues Miss Clara Middleton. The majority of the novel takes a look at their engagement, and her doubts about it. There is a wealth of clever dialog to be found in this novel, much of which stays with the reader (or at least this one) well after the last page is turned. Most of the comedy comes from Meredith's exposing of the Egoist (of which there is more than one in this novel).
Miss Middleton actually has the attention of a few men, and this adds to both the drama and comedy of the novel. A sample of the witty dialog should be provided so you may decide whether to get this book. A friend of Clara's gets wind of her doubts. He can't come right out and let her know, but he hints at it. He starts off by informing her that he 'has written half an essay on honeymoons'. She responds by asking 'whether that is the same as a half written essay'. He tells her 'that it is, except that my essay is completely told, but just from one side.' 'And which side is that' she asks. 'The grooms' he replies.
So I would suggest that you give this novel a try, especially if you like 19th century writers.
46 of 47 people found the following review helpful.
One of the finest novels of the Victorian century
By Jay Dickson
Meredith's masterpiece is woefully underread, and it is a sad truth that the Norton scholarly edition is the only edition of THE EGOIST now in print. This is not an easy read, however: Meredith's caustic dialogue foreshadows henry James's in its mastery of ambiguities, and his witty paradoxes surpass even Oscar Wilde (who admitted his debt to Meredith). The plot is a simple one: the wealthy handsome and titled Sir Willoughby Patterne, having been jilted by one fiancée, proposes to another young woman, the intelligent and intensely likeable Clara Middleton, who accepts him; before very long, Clara has realized what a monstrous egoist Sir Willoughby is, but not after it seems too late for her to go back on her word. This is one of the most brilliant studies of mortification ever accomplished, and what makes it all the more amazing is that Meredith clearly modelled Sir Willoughby in part on himself and the extraordinarily sympathetic Clara on his wife, Mary Ellen Peacock, who deserted Meredith for another man. This book is funny, thought-provoking, and exceptionally poignant: there are moments when you read it that your heart will go into your stomach as you sympathize with Clara's appalling plight.
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